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Stained glass windows are the most paramount works using stained glass. Of these, the leadlights are the tiniest stained glass windows making use of lead cames as the material to join the tiny pieces of glass collectively. Lead got changed in the works of Louis Comfort Tiffany with copper plates as it was way much lighter in weight than the conventional lead came making improvements to the completed product’s power.

Except for the standard stained glass windows, the leading edge instinct of the inside designer in Tiffany caused him to apply his craft on three-dimensional projects, most of which were ornamental artifacts like his famous stained glass lampshades. He also made blown glass, ceramics, enamels, jewelry, metalwork and mosaics.

Glass was accessible considering centuries gone. Glass factories are set up where there’s abounding supply of silica which does not happen in its free elemental state but as silicon dioxide ( the principal component of sand ) or as complex silicates in diverse minerals such as quartz.

Stained glass making was practised since ancient times. The Egyptians and the Romans were glorious manufacturers of coloured glass which they used as raw material for tiny ornamental objects like the Lycurgus Cup in the UK Museum which is of a misty mustard colour but turns into a glowing purple-red from behind an illumination source.

Colouring or “staining” glass is a method which includes adding metallic oxides whilst yet in its molten form or state at raised temperatures. Diverse metallic oxides produced specific effects, the most common of which are copper oxides to produce green-coloured glass, cobalt for blue and gold which produces red glass. As gold is pricey, research led workmen to locate copper to provide a brighter red glass with a rather more vermilion shade.

These “coloured” glass productions were augmented with the innovations of Tiffany resulting in clever iridescent effects on the often opalescent stained glass he developed from his Tiffany Glass Company and Tiffany Studios, set up in the late 1800s and early 1900s *COMMA respectively *T. His glass staining techniques coated the following methodologies :

• Streamer glass – glass strings patterns textured for effects that symbolized branches, twigs and grass.
• Fracture glass – with an effect of thin glass wafers in irregular shapes to project an impact of foliage seen from a distance. Fracture-streamer glass a combo effect of the 2 systems noted above.
• Ripple glass -  textured with marked surface waves for illusions of water or veins / striations in leaves.
• Ring mottle – glass texturing formulated to fit design to different motifs.
• Drapery glass – textured seriously folded glass for a 3D effect of fabric folds as in the flowing robes of Biblical personalities and wings of angels. These innovations eliminated a lot of the hand painted glass windows style in earlier times. Until the present, churches and cathedrals are the architectural houses of most stained glass windows, typically of enormous sizes, along with some open public buildings and a few synagogues and mosques for its relaxing and hallowed effects. 

Would you like a stained glass feature? 

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